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|Type:||Artigo de periódico|
|Title:||The Tombeau Of The Avant-gardes: The "pluralization Of The Possible Poetics" As A Contemporary Critical Paradigm [o Tombeau Das Vanguardas: A "pluralização Das Poéticas Possíveis" Como Paradigma Crítico Contemporâneo]|
|Abstract:||This essay proposes a reading of Haroldo de Campos' "Poetry and modernity: from the death of art to constellation. The post-utopian poem", a text that attempts to decree the end of the avant-gardes at the same time that it carries out their critical and historical legitimation. The conflict between the survival of avant-garde values and the interpretation of the contemporary as a time of "plurality" (or "diversity") makes Campos' text a decisive historical event for the contemporary debate on poetry.|
|Editor:||Universidade Federal do Rio de Janeiro|
|Appears in Collections:||Unicamp - Artigos e Outros Documentos|
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