Please use this identifier to cite or link to this item:
|Type:||Artigo de periódico|
|Title:||The Concerto for Viola and Orchestra by Antonio Borges-Cunha: form and interpretation|
de Biaggi, EL
|Abstract:||This article has as object of study the Concerto for Viola and Orquestra by Antonio Borges-Cunha. We investigated the work by observing its formal structure. This resulted in data which were relevant to the understanding of the work itself and to decisive procedures in its interpretation. These data were then applied to specific issues in the area of performance, by means of a process whereby the sensations of movement and direction were delineated. This investigation discusses interpretation and the queries regarding the paths which performers can choose in their quest for positive results in expressivity. It is a study specifically geared to the area of performance and, in a broader sense, serves composers that are interested in the performer's contribution to the creative process of a work.|
|Subject:||Brazilian contemporary music|
Music for viola and orchestra
|Editor:||Univ Federal Goias|
|Citation:||Musica Hodie. Univ Federal Goias, v. 13, n. 1, n. 192, n. 200, 2013.|
|Appears in Collections:||Unicamp - Artigos e Outros Documentos|
Files in This Item:
There are no files associated with this item.
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.