Please use this identifier to cite or link to this item: http://repositorio.unicamp.br/jspui/handle/REPOSIP/327868
Type: Artigo
Title: Two Bodies For Warhol: Reverberations In Heiner Muller's Hamletmachine And Romeo Castellucci's Inferno
Title Alternative: Dois Corpos Para Warhol: Reverberações Em Hamlet-máquina De Heiner Müller E Inferno De Romeo Castellucci.
Author: Marcondes
Renan
Abstract: This article focuses on the figure of the American artist Andy Warhol, through two appearances of his figure in the works of two artists, whether in the form of direct quotation or subliminal relationship: the theater director Romeo Castellucci and the German playwright Heiner Muller. In the first case, Warhol's figure appears personified in one of the actors of the play Inferno, a stage adaptation of Dante's Divine Comedy performed by Castellucci in Avignon Festival; the second figure Warhol spectrum as the "machine" as desired body figure by actor - Hamlet Hamlet - machine. The aim of this study is to reflect on which changes in cultural imagination are operated by the artist in regard to images of the body and its objectifications, either through their production or creation of its own image - interconnected phenomena.
Subject: Andy Warhol
Body
Contemporary Theater
Image
Editor: Univ Estado Santa Catarina -UDESC
Florianopolis
Rights: aberto
Identifier DOI: 10.5965/1414573102272016046
Address: http://www.revistas.udesc.br/index.php/urdimento/article/view/8533
Date Issue: 2016
Appears in Collections:Unicamp - Artigos e Outros Documentos

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