Please use this identifier to cite or link to this item: http://repositorio.unicamp.br/jspui/handle/REPOSIP/284341
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dc.contributor.CRUESPUNIVERSIDADE ESTADUAL DE CAMPINASpt_BR
dc.descriptionOrientador : Laymert Garcia dos Santospt_BR
dc.descriptionDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artespt_BR
dc.format.extent327 f. : il.pt_BR
dc.format.mimetypeapplication/pdfpt_BR
dc.languagePortuguêspt_BR
dc.typeDISSERTAÇÃOpt_BR
dc.titleDisparação : a informação na fronteira entre arte e tecnologiapt_BR
dc.contributor.authorMiele, Silvio Robertopt_BR
dc.contributor.advisorSantos, Laymert Garcia dos, 1948-pt_BR
dc.contributor.institutionUniversidade Estadual de Campinas. Instituto de Artespt_BR
dc.contributor.nameofprogramPrograma de Pós-Graduação em Multimeiospt_BR
dc.subjectArte e tecnologiapt_BR
dc.subjectMultimeiospt_BR
dc.description.abstractResumo: Não informadopt
dc.description.abstractAbstract: The purpose of this study is to suggest parameters for a discussion on the value of information. The concept of value of information must take into account the relationship between quantity and quality, found at the basis of the information phenomenon. It materializes itself and increases in pace with material technological evolution. Everything being information, how can the information phenomenon be evaluated? It is in the point of contact between the field of Art and that of Technology that this question between the field of Art and that of Technology that this question will be answered, through the exploration of how information can dilute the age-old boundaries between these two fields. Freeing the informational phenomenon from the notion of representation and introducing the concept of quality of information within the context of a sign generated in a system due to the communication of difference, of ?disparation? (information being defined as the communication of difference), we replace in the universe of Art the notion of form (mode, model), by that of information. In the realm of Technology, we recognize that the instruments (the machines) don?t impoverich the nature of the capacity of perception, on the contrary, this capacity is amplified by them? Note: The complete abstract is available with the full electronic digital thesis or dissertationsen
dc.publisher[s.n.]pt_BR
dc.date.issued1992pt_BR
dc.identifier.citationMIELE, Silvio Roberto. Disparação: a informação na fronteira entre arte e tecnologia. 1992. 327 f. Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes, Campinas, SP. Disponível em: <http://www.repositorio.unicamp.br/handle/REPOSIP/284341>. Acesso em: 15 jul. 2018.pt_BR
dc.description.degreelevelMestradopt_BR
dc.description.degreenameMestre em Multimeiospt_BR
dc.date.defense1992-09-15T00:00:00Zpt_BR
dc.date.available2018-07-15T23:32:28Z-
dc.date.accessioned2018-07-15T23:32:28Z-
dc.description.provenanceMade available in DSpace on 2018-07-15T23:32:28Z (GMT). No. of bitstreams: 1 Miele_SilvioRoberto_M.pdf: 38662039 bytes, checksum: 65526a89085ebf80e278eea9f324ff4c (MD5) Previous issue date: 1992en
dc.identifier.urihttp://repositorio.unicamp.br/jspui/handle/REPOSIP/284341-
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